艺术家: Sin Hak-Gwon
日期: 801
尺寸: 47.3cm x 235.0cm
博物馆: The Metropolitan Museum of Art (New York, United States of America)
术: 面板
韩国艺术除了乌托邦地貌外,还有着丰富的描绘真实位置的传统. 在16世纪后期和17世纪后期日本和满洲的破坏性入侵后,韩国在东亚的地位和半岛的自然地势和历史遗迹再次有了认识. 这种全景取景于金刚山,又名"钻石山",从右到左出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出 值得注意的是,这幅画按名称确定了46个著名地点。 Sin Hak-gwon有意地反映了Jeong Seon的风格(1676–1759年),他是一位他深为钦佩的著名的Geumgang艺术家. 然而,辛的特有商标则取自两相轮廓的相上下相上下相上下相上下相上下相上下相上下相上下相上下相上下相上下相下相下相上相下相上相下相下相上相上相下相上相下相上相上相下相上相上相下相下相上相上相下相上相下相上相下相上相上相下相上相上相上相上相下相下相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相上相下相上相上相上相上相上相上相上相上相上相上相上相上相上相上 无法去金刚的艺术家们利用这种配乐满足了对受人尊敬的山脉的渴望.
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