艺术家: Soga Shohaku
日期: 1760
尺寸: 134 x 56 cm
术: 纸张
两只起重机,一只用开阔的喙猛烈地向前走去,另一只用它的头像顺从一样轻而易举地低了下来,在平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地平地 Crisp, 精确的刷子勾画起重机的羽毛, 其构成来源于古老的穆罗马奇时期的墨水画传统,但这里的起重机——长寿和好运气的象征——被描绘成几乎像人一样的表达来活化形象. 这个特征在其他画作中由非常规和"怪异"的Soga Shōhaku所出. 18世纪日本主要艺术家之一,什ō哈库的放荡行为,有时对绘画采取不拘一格的态度(特别是在他早期的职业生涯中),而叛逆的个性被他的同時代人所注意到. 他的个性和“现代”敏感性今天受到极大的赞赏。
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