艺术家: Tani Bunchō
日期: 1817
博物馆: Harvard Art Museums (Cambridge, United States)
术: 丝绸
在江户画作中,很少有作品比在芦苇上徘徊的满月观点更能显著地体现可口可乐的文化习俗和新奇相貌方法的趋同. 如从一扇窗户被看到一样,图像封装了月球观赏的传统,这一活动与友谊和渴望有着长期的联系:无论将所爱的人分开的物理距离如何,所有人都可以仰望夜空并凝视同一颗月球. 巨大的古代海豹将这种联系放大到过去. 然而bind'并不只是重复一个既定的涂墨主题。 图像的异常大小和西方风格的低地平线产生了一种"有"的感觉,而铭文证实作品纪念了1817年江户一次实际收成的月会. 通过将一个独特的个人事件与无数历史前辈的事件相交,我们创造了一种“真实的观点”,这种形象不是根植于光学现实,而是植根于一个遗址的主观经验。
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