日期: 1545
博物馆: Palace of Capodimonte (Naples, Italy)
术: 油画布上的油
年长的教宗保禄三世就坐落在构成的中央,略微向左转动,随着外孙奥塔维奥入场. 奥塔维奥和保罗三世犹豫地彼此相视. 教皇的另一个孙子,红衣主教阿莱桑德罗,在我们左边的一桌后站着,因为他直接站在观众面前。 蒂蒂安使用的一股浓郁的红调强化了气氛. 提提安于1545至46年间,应法尔内斯人之邀,在罗马人居住期间执行这幅肖像. 这幅画在1546年蒂蒂安回到威尼斯后就未完成. 学者认为,鉴于当时的政治动荡,该场景说明了法尔内塞家族内部紧张的关系. 蒂蒂安抓住了教宗脆弱和衰落的微妙迹象,以及三人之间的复杂的心理动态.
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