艺术家: Tiziano Vecellio (Titian)
主题: 画像
日期: 1554
尺寸: 185 x 103 cm
博物馆: Galleria Palatina (Italy)
术: 油画
甚至比他在圣殿的处女座演讲中的介绍还要多 , Titian's 在为已拆毁的圣玛丽亚马焦雷教堂绘制的这幅作品中,显然可以看到用矫饰主义的元素填充他的色彩语言的尝试。 . 数字的强大可塑性 , 它的戏剧姿势 , 音色的强度都反映了16世纪第五个十年在威尼斯的主导品味,这个威尼斯越来越关注形式和构成上的问题, 'classicists' 意大利中部 , jacopo sansovino在威尼斯传播的思想 , 瓦萨里和萨尔维亚蒂 . 但是即使在这个肌肉发达的运动员中 ( 当然,没有因快速疲惫而隐隐消失的隐士 ) 矫饰主义的正式学术素质是由 Titian's 对颜色的敏感性 : 的 'impasto' 皮肤的灰色与果肉和棕色的象牙色的发光匹配似乎使油漆的颜色几乎上升 , 奔流洪流使绿色变暗 . 的确,正是由于他对色彩的感觉,提香主义的公式才得以体现。 , 而不是在抽象的程序设计项目中具体化 , 被转化为研究的热情 .
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