艺术家: Tiziano Vecellio (Titian)
日期: 1534
博物馆: Gallerie dell'Accademia (Venice, Italy)
术: 浮油。
Urbino的堂表被涂上了Kessco Maria della Rovere的继承人,乌尔比诺的杜克。 如果要看Giorgione的睡觉(Titian青年在Giorgione死亡后完成),绘画的意图是完全不同的。 Titian的神户与Giorgione理想化的女美形象毫无关系,它通常被解释为婚姻爱的主人。 有一些建议认为,1534年,Drobaldo della Rovere和Giuliana Varano的婚礼可能会有关系。 这是一种极其严厉的构成。 它邀请我们了解这名年轻女性的热情金刚好的数字以及她 cas的曲折,以及她手臂的有吸引力、经过认真研究的流动。 观察画面的画面,有色彩色的主角、小狗 cur的 cur子、两只女ids的肌肉 touch、窗户外的世界以及恶毒的恶魔,但与此同时,年轻神户的恶意表现。 几乎是国内的简单化,使整个构成成为一种温暖的、人性的、时间上的现实。
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