艺术家: Tosatsu, Hagetsu
日期: 1575
尺寸: 155 x 357 cm
博物馆: National Gallery of Victoria (Melbourne, Australia)
术: 颜料
在这个罕见的十六世纪的银幕中,我们发现不同季节所描绘的自然让人想起了中国宋朝画作. 代表冬花的骆驼花,梅花有春花,早夏花序和小马花序和花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序花序. 清晨环境的宁静被一出激烈的狩猎场景所打破,三只鹰在其中追击并攻击猎物. 这些画作得到执政的军事领主和室町时期的武士阶层(1333–1568)的高度评价,他们发现,大自然的纯洁和鹰的狩猎技巧象征着他们自己的精炼生活和类似战士的本能. 在这个日本美学在绘画和文化品味上的过渡时期,可以看到中国的艺术风格慢慢地适应了日本独特的敏感性. 哈吉苏 Tōsatsu被认为是伟大的艺术家Sesshū Tōyō的第二代追随者,拥有了这个屏幕的许多方面,即梅花树,岩石,鹰和海牛等,与Sesshū’的风格大相径庭. Tōsatsu也被认为曾一度从位于今山口县的Sesshū’s Unkoku-an(云谷隐士)工作室居住并工作. 澳大利亚维多利亚国家美术馆
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