艺术家: Utagawa Kunisada Ii
日期: 1851
博物馆: Patrick and Beatrice Haggerty Museum of Art (Milwaukee, United States)
术: 木块打印
嘉木剧场在17世纪初发展为由女性在京都的河岸附近表演的舞蹈. 被认为是对公共道德的冒犯,首先禁止妇女,然后禁止男孩进入卡布基舞台。 它成为了江户一种被野外所喜爱的戏剧形式,但所有女性角色都是由男性以服装出演. 在Utagawa Tokyokuni对Bando Shiuka的描绘中, 演员额头上可见的紫布表明, 扮演这些角色的演员被称作"onnagata",一些演员也以女性出道为生. 他们的服装为城里的商人阶级妇女设定了时尚趋势. Tôsh-sai Sharaku以其不理想的画面出名,展现了演员们的男性特征。 这一描述由艺术史学家希拉里·克·斯诺(英语:Hilary K. Snow)所写,威斯康辛-密尔沃基大学荣誉学院艺术史讲师.
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