艺术家: Veit Stoss
日期: 1525
术: 木头
在中世纪后期,赤裸裸和独立的"基督童"人物极为受欢迎,特别是在尼姑会中. 乍一看,这些有些瘦小的男孩, 他们有他们公平的份额的婴儿脂肪, 正在影响,甚至欢快。 经常有人向基督孩子展示,他持有一块矿石并举起一手祝福,或者用一些象征着优酷派的标榜 — — 然而,就柏林耶稣而言,这些属性已经丧失了。 这种雕塑的用意是强调基督的人性,因此也是神所化身之谜. 独立姿态对这个年龄的婴儿来说并不合适,因此与核心信息是紧密相联的:一个小到无法站立的婴儿雕像在观众中引起混乱,这再次表明基督以人类形式化身的奇迹。 柏林婴儿的小型形式表明,该作品最初是个人的私人奉献对象。
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