艺术家: Wang Yuanqi
术: 纸张
这四所地貌各仿出元朝后期四大文学画家之一的作风. 画家王元奇(1642年—1715年)虽然以这四幅画作为前四位人物的作品作基础,但还是广泛使用由干笔所创作的破碎线条来创作出出出出有特色的表达:从右出自"黄克光"(别名达奇,1269年—1354年),"王孟"(别名"黄河·相克",一说1308年—1385年),"吴 Zh"(别名"忠贵",1280年—1354年)和"尼赞"(别名"云林",1301年—1374年). 这部作品反映了清朝早期西旺武润的内在素质. 王元奇出自江苏省太康. 他也曾用名"毛京",取名"鲁泰". 他是王世民(1592–1680)之孙. 1670年(康熙九年),他通过文官考试,后为清廷负责画作的考核. 此外,他还担任由帝国委托的"活佛活佛活佛"(Peiwenzhai shuhuapu)("活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活克活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活克活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛活佛 王辉创办了玉山学堂,王元奇创办了"娄东画派". 模仿黄和王的两卷卷轴会用墨水和苍白的颜色来取出相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去 绘画技术的特点是干笔,最少使用苍白的墨水后被压入或被擦入纸上,山地通过黑影与白相间的对比而得到形态. 除"尼赞"后所绘画外,其余三个题名都召回了画家董元(?-ca.962)和朱兰(n.d.d.),他们从五朝到北宋王朝都很活跃,因此通过元朝的四大大师回力到宋朝,传达出他与中国地貌画非常尖锐相通的愿望.
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