艺术家: Yasuda Hanpo
日期: 1931
尺寸: 132 x 33 cm
术: 纸张
一位学者静静地坐在一条溪流上所建的一连串渔屋里。 他深思熟虑地注视着手中的钓鱼棒,而书卷则躺在他身后的一个红桌子上。 仆从从道中取一茶入来. 在渔屋上方,多明快活的山景被用湿刷子用大稠密的点来画出,让人想起了书法家-画家米孚(1051–1107)来传达潮湿的氛围. 有棵扭曲的树生长在岩石上 艺术家用干刷来创造出树下粗糙的纹理,提供了与背景中湿润的山的视觉对比. 树后有瀑布流出,完成了一出喜剧场景. 在右上角,唐朝诗人姚贺所写的一首诗被刻入此场景:由釣起茅亭,柴扉復竹楹。波清見絲影,青蒲傍砌生。欲同漁父舍,青蒲傍砌生。欲同漁父舍. 我为钓鱼而建了这个小亭子 以分枝作一门,取竹为柱. 通过透明的波浪,我把丝线看成是阴影. 久而久之,我感觉到鱼的感觉 白鸟从窗边过夜. 绿芦苇生长于石砖旁. 如果我拒绝所有来访的来宾,那就只是一个渔夫的小屋。 (由Tim Zhang翻译)Yasuda Hanpo是日本南加艺术家, 汉口是日本南嘉会(日语:南嘉会)的创始人之一,日本南嘉会是一个致力于研究并宣传南嘉会的组织.
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