Artist: Ahmed Mater Eid Al-Bassam
dato: 2012
museum: The United Nations (New York, United States)
Teknik: Photograph
“In Mecca, difference becomes the only constant. Today is different from yesterday and, by tomorrow, it will have altered again. There are seismic changes that stagger even the casual observer – the massive development of the Haram Al-Sharif being the most iconic. It’s a place loaded with historical significance, yet there isn’t any infrastructure left there that is more than 100 years old. It amazes me that for so many around the world today, especially non-Muslims who do not know the significance of the city, Mecca has become synonymous with impossibly tall buildings, the looming clock tower and the teeming cranes. What happens to the symbolic identity when the physicality is altered beyond recognition? The ‘difference’ between the potent invested symbolism of the place and the complete physical transformation is the most charged – how can it be so historically, religiously, symbolically robust while also being physically obliterated and changed beyond recognition? As the sketched outline of a new city is overlaid onto the demolished infrastructure of the past, the older city is eradicated. The city is recast, dominated by a more technologically advanced, materialist, consumer-driven understanding of urban space. What is not yet clear is the impact this will have on the emotional and psychological well-being of the inhabitants of the physical and symbolic city.
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