Καλλιτέχνης: Charles Antoine Coypel Iv
ημερομηνία: 1743
μέγεθος: 100 x 80 cm
μουσείο: The Metropolitan Museum of Art (New York, United States Of America)
Τεχνική: Laid Paper
This double portrait is among the most technically brilliant by Coypel, who was a member of the French Royal Academy and official painter to King Louis XV. He used dazzling and unerring control of a variety of media (primarily pastel, but also chalk and watercolor) to capture the wide range of textures, including lace and velvet. The sitters are traditionally identified as Marie Elisabeth de Séré de Rieux and her husband François de Jullienne, son of a wealthy textile merchant, collector, and patron of Antoine Watteau. The direct gaze of the sitters, related to Coypel’s interest in the theater, is a conceit he used regularly.
Καλλιτέχνης |
|
|---|---|
Λήψη |
|
δικαιώματα |
Δωρεάν για μη εμπορική χρήση. Δες παρακάτω. |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
