Artist: Anthony Van Dyck
Date: 1617
Size: 66 x 51 cm
Museum: The Metropolitan Museum of Art (New York, United States Of America)
Technique: Wood
Rubens’s practice of using real people as models for figures in his religious and mythological scenes was followed closely in Antwerp by his younger colleagues Jacob Jordaens and Anthony van Dyck. This painting was once attributed to Rubens, but its comparatively soft forms and textured surface are typical of the young Van Dyck and contrast with Rubens’s emphatic modeling and incisive draftsmanship.
Artist |
|
|---|---|
Download |
|
Permissions |
Free for non commercial use. See below. |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
