Artist: Araki Katsumochi
Date: 601
Size: 28.6cm x 32.4cm
Technique: Silver
The Nihonga art movement emerged during the Meiji period (1868-1912) as a response to the rise of Western-style painting known as Yōga. The term "Nihonga" literally translates to "pictures of Japan," emphasizing its connection to traditional Japanese art forms. Iwasa Matabei, an artist from this movement, is renowned for his unique style and contribution to Nihonga.
is an exquisite example of Nihonga. This painting showcases Iwasa Matabei's mastery of mineral pigments and organic materials on silk or paper. The subject matter, Mibu no Tadamine, is one of the Thirty-six Poetic Immortals, a group of esteemed poets from Japan's classical past.
For the Japanese elite, poetry was the quintessential literary experience. Idealized and deeply admired, poets were often commemorated in portraiture. In the early eleventh century, Fujiwara Kintō (966–1041) selected thirty-six 'immortal' poets from the past, and their images became a popular theme in the yamato-e painting tradition. Iwasa Matabei's work is a testament to this enduring appreciation for poetry in Japanese art.
Nihonga has influenced artists around the world, and its legacy continues to inspire contemporary artists today. At Wikioo.org, we offer high-quality reproductions of Nihonga paintings, allowing art enthusiasts to appreciate and enjoy these masterpieces in their homes or offices.
Iwasa Matabei's The Poet Mibu no Tadamine, from a Set of Album Leaves Illustrating the Thirty-six Poetic Immortals is a remarkable piece that highlights the beauty and significance of Nihonga. As we continue to appreciate and study this art form, its influence on contemporary artists and global audiences remains an essential aspect of its lasting legacy. Explore our collection of Nihonga paintings at Wikioo.org and experience the richness of Japanese art history in your own space.
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