Artist: Endre Tót
Date: 2005
Size: 150 x 100 cm
Technique: Acrylic On Canvas
Endre Tót, who gained his reputation with his Art Informal paintings in the 1960s, ceased painting around 1970–1971 and started making conceptual, text/sign-based works. These “absent pictures” that establish nothingness and absence as two poles of Tót’s works consist for the most part of drawings; they also include installations, actions, film and video works, as well as works using non-traditional media such as telegrams, postcards and banners. An emblematic figure of Conceptual Art, Mail Art and Stamp Art, Tót aimed at making his practice “TÓTally against official art”, in his own words. Addressing state control mechanisms and totalitarianism, his oeuvre deals with issues related to censorship, isolation, communication and privacy. Endre Tót’s
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