Artist: Fujiwara No Koreyuki
Technique: Paper
Wakan rōeishū (Antholog y of Japanese and Chinese Poems for Recitation), originally compiled at the beginning of the eleventh century by the Heian poet Fujiwara no Kintō (966–1041), contains 804 outstanding Japanese and Chinese poems. This edition of the anthology, in two scrolls, has an impressive provenance. After being preserved in the daimyo collection of the Ōta clan, lords of Kakegawa in Tōtomi province, it was owned successively by two major collectors of the modern period, Fukuoka Takachika (1835–1919) and Hara Tomitarō (also known as Sankei, 1868–1939). Although each scroll begins with the heading “Notes on Wakan rōeishū,” these two volumes contain a complete transcription of the text with no commentary, not an abbreviated version. The first scroll contains poems organized by season, while the second scroll includes a miscellaneous section. The second scroll has a colophon indicating that it was brushed on the second day of the fourth month in 1160 (Eiryaku 1) by Sesonji Koreyuki (n.d.), the son of Fujiwara no Sadanobu (b. 1088) and a leading calligrapher of his day. This work is extraordinarily important as the only surviving authenticated calligraphy in the hand of Koreyuki.In addition to the rarity of its calligraphy, the decorative paper upon which Koreyuki’s brushwork is presented also makes this work highly significant. Beneath the text are paintings of scenic elements such as willow trees, flowing streams, and water birds; but even more interesting is the incorporation of stylized characters, known as ashide (literally, “reed technique”). The Heian-period aristocrats loved sophisticated poetry games, and it is said that these hidden background characters contained mysteries that could be unraveled through keywords found in the poetic calligraphy.
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