Artist: Juan Gris
Date: 1913
Size: 66 x 100 cm
Museum: The Metropolitan Museum of Art (New York, United States Of America)
Technique: Oil On Canvas
Though sinister cast shadows were no novelty, Gris’s ingeniously detached silhouettes stand for the things themselves, as with the wineglass, pipe, and bottle in this garishly colored scene. Unlike full-bodied objects, these apparitions are flat and insubstantial, eluding our grasp. Meanwhile, the shadow dutifully attached to the guitar does not obey the laws of nature but changes in shape and direction, like a rogue twin. Gris’s mock deviousness was inspired by the murky criminal underworld of the pulp-fiction series Fantômas and its film versions (1913–14), which enthralled the Parisian avant-garde; the titular character often perpetrated his dastardly deeds like a stealth silhouette, clothed all in black.
Artist |
|
|---|---|
Download |
|
Permissions |
Free for non commercial use. See below. |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
