Artist: Sakai Hōitsu
Date: 1820
Size: 104 x 41 cm
Technique: Silk
Flanking the central scroll with an auspicious image of the rising sun are two scrolls depicting flowers and trees of the four seasons. Cherry and maple, representing spring and fall, appear in the upper sections of the paintings, while irises, pond lilies, narcissus flowers, and bamboo appear below, symbolizing summer and winter. The juxtaposition of the summer stream with the ice-glazed river unifies the composition, for the bodies of water fall away from the center in complementary arcs that echo the round form of the sun.The poem inscribed over bands of golden mist is by the courtier-calligrapher Kazan’in Yoshinori. The lavish painting may have been commissioned to commemorate his retirement from court life, with the sun, a symbol of imperial beneficence, illuminating the four quarters and the flora of the four seasons. The poem, a thirty-one-syllable waka, draws on traditional symbolism likening the rising sun to the imperial presence:Akirakeki miyo zo to yomo ni shirashimete terasu hikage no kumoru toki naki Praise for the enlightenedreign of the emperorspreads in all directions,just as the light of the sunshines in a cloudless sky.—Trans. John T. Carpenter
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