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Our Family left our homeland and came to town and became homeless with nowhere to stay.
Our Family left our homeland and came to town and became homeless with nowhere to stay.
Love. Left part of triptych “Life”
Love. Left part of triptych “Life”
Las memorias antiguas de la raza del maguey aun respiran (Left View)
Las memorias antiguas de la raza del maguey aun respiran (Left View)
Mistress of the fireplace. Left part (from triptych
Mistress of the fireplace. Left part (from triptych
Left predella wing of the high altar of the former Augustiner church in Nuremberg
Left predella wing of the high altar of the former Augustiner church in Nuremberg
El Grito (the Cry) – left panel
El Grito (the Cry) – left panel
Shrovetide (Left Part of Triptych, The Masked)
Shrovetide (Left Part of Triptych, The Masked)
Title (Original): Plan of the Attack on Mundlah Stormed on the 26th April 1818 By the Left Division of the Grand Army under the personal Command of Major General Dyson Marshall.
Title (Original): Plan of the Attack on Mundlah Stormed on the 26th April 1818 By the Left Division of the Grand Army under the personal Command of Major General Dyson Marshall.
Phlegm (Roa on left), London
Phlegm (Roa on left), London
Paço Imperial, on the left; in the center, Carmo Convent and Church and the Ordem Terceira do Carmo church in the center
Paço Imperial, on the left; in the center, Carmo Convent and Church and the Ordem Terceira do Carmo church in the center
Triptych of Cassurrães, São Pedro (left panel)
Triptych of Cassurrães, São Pedro (left panel)
Last Supper (left panel)
Last Supper (left panel)
Kneeling Female Nude with Bird on the left Hand
Kneeling Female Nude with Bird on the left Hand
Landscape (left)
Landscape (left)
Night Patrols (Around Maliana) - Left Panel
Night Patrols (Around Maliana) - Left Panel
The left side hall with the Beethoven frieze by Gustav Klimt during the 14th exhibition of the Vienna Secession
The left side hall with the Beethoven frieze by Gustav Klimt during the 14th exhibition of the Vienna Secession
Nigar Magazine Scans from 1961, this image shows singer Nihaal Abdulla on the left, Bano in the middle with Lollywood music director Fazal Kareem Fazli.
Nigar Magazine Scans from 1961, this image shows singer Nihaal Abdulla on the left, Bano in the middle with Lollywood music director Fazal Kareem Fazli.
Roshan Khan(left) and Hashim Khan (middle). Circa 1950s.
Roshan Khan(left) and Hashim Khan (middle). Circa 1950s.
Hashim Khan (centre) and Roshan Khan (extreme left) with prizes.Roshan Khan and Hashim Khan are second cousins, both have been World Champions many times over, and have often faced each other in the final round of tournaments. Circa 1950s.
Hashim Khan (centre) and Roshan Khan (extreme left) with prizes.Roshan Khan and Hashim Khan are second cousins, both have been World Champions many times over, and have often faced each other in the final round of tournaments. Circa 1950s.
Hashim Khan (second from left in striped tie) and Jahangir Khan (centre in striped shirt), the son of Roshan Khan, and the next generation of the Khan family Squash dynasty to hold a record that rivals that of Hashim Khan. Jahangir Khan has one of the lon
Hashim Khan (second from left in striped tie) and Jahangir Khan (centre in striped shirt), the son of Roshan Khan, and the next generation of the Khan family Squash dynasty to hold a record that rivals that of Hashim Khan. Jahangir Khan has one of the lon
Hashim Khan (extreme left) and Roshan Khan (middle) pictured with group in Egypt during international touring. Circa 1950s.
Hashim Khan (extreme left) and Roshan Khan (middle) pictured with group in Egypt during international touring. Circa 1950s.
Our Precious Things We Left Behind
Our Precious Things We Left Behind
Left profile of a male figure, with cloth arranged in soft folds
Left profile of a male figure, with cloth arranged in soft folds
Left
Left
Sea study at Etretat (with Rocky Shore on the Left)
Sea study at Etretat (with Rocky Shore on the Left)
Left arch of the Portico of Glory. Iconography
Left arch of the Portico of Glory. Iconography
Old Pine Tree with a Hawk (left screen)
Old Pine Tree with a Hawk (left screen)
Each Immigrant has a Secret: The Life They Left Behind
Each Immigrant has a Secret: The Life They Left Behind
El Grito (The Cry) – left panel distant view
El Grito (The Cry) – left panel distant view
Long Hall Left: Offering bearers in the burial procession and the
Long Hall Left: Offering bearers in the burial procession and the
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