אמן: Gustave Klimt
תַאֲרִיך: 1911
גודל: 110 x 110 cm
טֶכנִיקָה: Oil On Canvas
Klimt made use of a visual technique strikingly reminiscent of French pointillism especially for his landscapes. In the years around 1900, French and Belgian pointillist works were regularly exhibited in the Vienna Secession. Under these influences, Klimt developed a highly individual variant of pointillism. In contrast to the French and Belgian artists, Klimt did not dissolve all motifs in a uniform mesh of dabs of color. He instead used this technique to highlight succinct motifs, such as treetrunks and fruits. For Klimt, the dabs of color do not contribute toward color synthesis following strict methodology—as with his fellow French and Belgian painters—but achieve the effect of a small-scale irregular mosaic. The fact that Klimt barely used pointillism for portraits and symbolist paintings but more for landscapes instead is significant. In this painting of a farmhouse in Buchberg on the Attersee, Klimt strengthens the effect of a flat mosaic by hermetically sealing the view of the house with wide fruit treetops, thereby taking away any distant views of the landscape and sky. By deliberately avoiding space and shadows, the motifs lose any sense of three-dimensionality and give the impression of two-dimensional flat patterns.
אמן |
|
|---|---|
הורדה |
|
הרשאות |
חינם לשימוש לא מסחרי. ראה למטה. |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
