Cavaliers sur la plage (I) (Riders on the Beach (I)) – (Paul Gauguin) קוֹדֵם הַבָּא


Artist:

מוּזֵיאוֹן: Museum Folkwang (Essen, Germany)

טֶכנִיקָה: Oil On Canvas

Cavaliers sur la plage, the third painting that Osthaus acquired from a group of late works of the artist, who had died in 1903, sold by Ambroise Vollard in Paris, shows a beach scene that may well have taken place on Hiva-Oa, a Marquesas Island near Tahiti. The artist, already seriously ill, had moved there in 1901. Two riders galloping from the left, in hooded jackets, without or with faces hidden behind masks, cross paths with a group of riders obviously heading towards the sea visible in the background. The painting has a fascinating coloring, which Gauguin masterly constructed on the pink-purple of the beach dominating the composition. Gauguin had already produced such beach scenes of occasionally unnatural colors during his time in Normandy and Brittany (see The Kelp Gatherers). Apart from an obvious reference to Edgar Degas in the construction of the image, it articulates a tangible longing, a romantically inflected view of the broad, unending sea. References also exist to Albrecht Dürer

This artwork is in the public domain.

Artist

הורדה

לחץ כאן כדי להוריד

הרשאות

חינם לשימוש לא מסחרי. ראה למטה.

Public domain

This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.