艺术家: Aristide Maillol
日期: 1902
尺寸: 113 x 147 cm
博物馆: Song Art Museum (Beijing, China)
术: 铜
该艺术家用一个活泼而充满活力的女人来比喻地中海丰富的历史和生育力. 似乎她在海边冥想,静静地坐着,她的头被弄低了,腿被划过. 而其构成也创造了一种沉静和活力的审美感. Maillol作品中的大多数数字都是在某一时刻被俘的裸体女性. 正如他所认为的,“在雕塑中应该有尽可能少的动作,”因为形式上的美丽并不是他表达的内容 — — 那些平静而不动的女性身体由无限的能量所组成,显示了光明的希望和无限的可能性,这凸显出他作品的丰富的哲学意义和比喻性参考.
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