日期: 1837
尺寸: 122 x 102 cm
博物馆: Adirondack Museum (United States)
术: 浮油。
这幅画将美国东部最大的荒野引入了民族意识. 旅行者和艺术家于1839年在国家设计学院首次看到它展出. 阿迪龙达克山口又名"印度口",分出华尔面山的起伏起伏的悬崖,起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起伏起起伏起伏起伏来相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相 该艺术家于1837年8月加入纽约州地质学家埃贝内泽·埃蒙斯(Ebenezer Emmons),以说明该州自然历史调查的地理学部分. 在一次艰苦的旅程后,据说他晕倒了,因加姆将这幅画"当场"处决.它的约翰·H·布夫福德地理学被广泛阅读的"1838年纽约州自然历史调查报告"(New York State Natural History Survey Survey Report of 1838)中发表于埃贝尼泽·埃蒙斯. 三十年后,阿尔弗雷德·比林斯街(Alfred Billings Street)在"旅行记"中提到了这幅画和印刷品. ""印地安口":"我想证明"印地安口"最上方的"地"点所刻的图形准确性. . 这是一张完美的照片 伟大的景象。"
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