日期: 1490
尺寸: 27 x 34 cm
博物馆: Calouste Gulbenkian Museum (Lisboa, Portugal)
术: 面板上的温和度
画作于1889年被转移到了画布上,被归功于过去的各种艺术家,包括罗吉耶·范德韦登,雨果·范德戈斯和慕尼黑背叛会大师. 现在据信是一位画家创作的,他与迪里克·布特斯的圆相近. 作品的空间布局按照夹层结构排列,使得组成物的所有元素之间能够建立密切的关系. 因此,可以认为画作的意义在解释其象征性内容中出现的关系时被揭示. 可见世界将观察者指向精神领域 — — 宣示救世主的光芒, 表明圣灵存在的鸽子, 虽然这个地貌充满了佛兰德式的现实主义细节,但它也遵循了植根于圣域的审美观:无数已消失的线条会汇合到生命之树上,而孔雀作为永恒生命的象征则被放置在花园墙上,这是对天堂的暗示.
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