艺术家: Fra Angelico
作风: 早期复兴。
主题: 现场。
术: 石油。
从十字架上出土的"地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取地取 现为佛罗伦萨圣马可国家博物馆. Giorgio Vasari将其定义为“由圣人或天使所绘”。 安杰利科在洛伦佐摩纳哥开始为圣特林塔佛罗伦萨教堂的斯特罗齐礼拜堂举行仪式时,介入完成这个祭坛. 它将基督被几个人所支持,由玛丽·马格达林(英语:Mary Magdalene (film))守住自己的脚,描绘为人类悔改的象征. 右侧的一幅有一顶红帽子的人物正在展示十字指甲和角冠,象征着激情和牺牲. 穿着深色裙子的玛丽被表现在保持手相接的传统姿态中.
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