断了鼻子的人 – (François Auguste René Rodin) 上一页 下一页


艺术家:

日期: 1863

尺寸: 25 x 19 cm

博物馆: Kunsthalle Bremen (Bremen, Germany)

术: 雕塑

雕塑"青铜时代"(The Bronze Age)首先取名"被打败"(The Defeated),指法国在1870-71年法普战争中被击败,是奥古斯特·罗丹公开展示的第一位独立生命大小的人物. 最初,它被否认为艺术作品,因为人们从它的自然主义中得出结论,雕塑只不过是出自自然的铸造. 与Rodin的"有断鼻之人"和"浸信会圣约翰"一样, 青铜时代和浸信会的圣约翰都与新古典主义的雕塑传统决裂了,因为它们不强调理想或平和,而是强调表达和运动. 1905年昆士泰尔第一任学术总监古斯塔夫·保利从艺术家手中购买"青铜时代"时,他怀疑这个数字是代表了受伤的人还是醒了的人. 然而,在对青铜时代的传统诠释中,作为人类历史的第三个阶段,它既代表了不公正和战争,也代表了意识的实现,他没有找到答案。 然而,1906年2月4日,罗丹在给保利的一封信中结束了不确定性,通过雷纳·玛丽亚·里尔克(Rainer Maria Rilke)联系他: “实际上,正是觉醒、从深沉而沉重的睡眠中缓慢地返回,正是这个年轻人仍然如此专注于梦想的姿态所唤醒的。 “

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