自相相相为相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相 – (Francesco Salviati) 上一页 下一页


艺术家:

日期: 1540

博物馆: Palace of Capodimonte (Naples, Italy)

术: 面板上的石油

Francesco Salviati 专门装饰有名望的宫殿 配有巨大的壁画 记述宏伟的叙事 然而,在这个自我画像中,艺术家用巨大的经济手段定义自己。 他运动着一头浓厚的胡须并穿着时髦的黑色双人裙,被黑色贝雷帽所打倒. 他唯一的随从是一把剑. 灰色石头上多余的古典建筑引出他佛罗伦萨的起源. 萨尔维亚蒂是意大利文艺复兴艺术家传记作家乔治·瓦萨里最好的朋友. 瓦萨里写了一段漫长而详尽的萨尔维亚蒂生平,他从9岁起就认识他. 他将萨尔维亚提描述为一个偏好单独工作的忧郁之人. 这幅自相画由作者讨论,并可以追溯到1540年代中期,两人正在佛罗伦萨的韦克奇奥宫装饰.

This artwork is in the public domain.

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Public domain

This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark.

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