艺术家: Giovanni Battista Piranesi
尺寸: 46 x 26 cm
博物馆: Kupferstichkabinett (Berlin, Germany)
术: 绘图
皮拉内西用马戏团马克西穆斯对帕拉廷以南古代废墟的地貌进行视觉重建,清楚地提到了16世纪古代的作品,包括皮罗·利戈里奥和奥诺弗里奥·潘维尼奥. 胜利柱、圆柱、方尖碑和雕塑装饰了脊柱(将竞技场分割开来的道路),所有这些可以被明确确定,其定位部分源于对Cinquecento的尝试重建,以及古代硬币上的描绘。 画作的这一具体部分为"Antichità Romane"第三部中第二部前作提供模板,这是皮拉内西于1756年出版的四卷一包蚀刻. 需要指出的是,在画面的前方增加了一些纪念碑;与此同时,对背景建筑构成的重大修改使人们怀疑皮拉内西是否真的想对马克西穆斯马戏团作出准确的描绘,或者 — — 正如绘画中往往令人惊奇的特征所显示的那样 — — 将一个典型的竞技场理想化地描绘出来。
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