艺术家: Giovanni Da Milano
日期: 1365
尺寸: 69 x 144 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 温和
虽然来自米兰,乔瓦尼主要活跃在佛罗伦萨,他人物的精细自然主义对黑死病后几十年(人类历史上记录到的最致命的流行病)工作的艺术家有影响. 门道上方的莲花形相片很可能被放入墓上方的拱门. 显示一位已去世的夫妻被"基督孩子"所欢迎入天堂. 两个领域——神圣的和时间的——相互重叠,使幻觉化的悬崖起伏相去甚远,相去甚远的相去相去甚远,而被撕裂的手也与意义相呼应。 尽管这幅画的整体状况,但圣母领头和右手对乔瓦尼的才华的微妙性给出了很好的印象.
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