艺术家: Guido Cagnacci
尺寸: 105 x 83 cm
博物馆: Crocker Art Museum (Sacramento, United States)
术: 油画布上的油
在职业生涯中期,卡尼亚克奇转向了能够让他运用才华进行女性裸体的学科. 在这里,这个女人被生命的转瞬即逝的象征所环绕: 完整的玫瑰花相,小时玻璃花相,头骨花相和勉强燃烧的蜡烛被许多花相上下相上下. 同时她还凝视着一只自恋自恋的蛇 它象征着永恒和再生 虽然这幅画可能是一幅早期的复制品,但卡尼亚克奇经常会制作出他自己作曲的几个版本. 吉多·卡尼亚克奇在1618年移居罗马后开始在博洛尼亚接受训练,与画家盖尔西诺合作. 他最大的成功是在1630年代的福尔镇,尽管他动荡的个人生活很快地损害了他的事业. 他在威尼斯开设了一个作坊,晚年被任命为神圣罗马皇帝的宫廷画家.
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