艺术家: Hendrik Johannes Weissenbruch
日期: 1890
尺寸: 473 x 400 cm
博物馆: Kunstmuseum (The Hague, Netherlands)
术: 面板上的石油
“Weissenbruch的后期风格以轻松、轻而易举和透明度为特征。 Weissenbruch完全致力于油画的内在方面:刷子工作的质量,油漆表面的纹理,表层价值的安排,以及图片空间内元素的均衡组织. 在这方面,他取得了一定程度的抽象,赢得了年轻的Piet Mondrian的钦佩。” 贝壳推车是Weissenbruch晚期绘画风格的绝佳例子. 艺术家通过改变他画笔的大小,强调场景的文字多样性. 长而几乎无法分辨的刷子会激发出深午的平地光;短而相重叠的刷子会暗示出海水的起伏波;而各种棕色和灰色的花纹会传达出沙滩上混合和不规则地表所反射出下沉的阳光。 资料来源:E. Jacobs, H. Janssen, M. van Heteren (编), J. H. Weissenbruch 1824-1903, Oss, Den Haag 1999。
艺术家 |
|
|---|---|
下載 |
|
權限 |
免費的非商業用途。 見下文。 |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
