日期: 1836
尺寸: 880 x 720 cm
博物馆: Kunstpalast (Düsseldorf, Germany)
术: 油画布上的油
流派画家A. Greven、J. P. Hasenclever、J. Wilms、O. Grashof、W. Heine和C. Engel von der Rabenau 创造了一个 " tableau vivant " ,仿佛在舞台上,取自现实生活而不是一些文学模型。 在幽默的场景背后,我们可以分辨出流派画家对创作团队过程的新看法,其根源在于现实生活,以及对现实艺术的号召. 过时的教材,如栅栏手的古老石膏模型,马尼金,和诗意主义历史画的道具被同骑士的头盔一起扔掉. 老鼠陷阱和杜塞尔多夫地图显示真实生活发生地:在当铺和妓院之间. 流派画家作为院外人的作用,并被流放到西伯利亚(书名),使他们联合为热闹的酒伴. 与其说是一幅历史画,它的后背正被用作风陷阱并被擦去刷子,在我们眼前出现了一个新的,真实的形象,表明流派画的来由. 作为绘画艺术理论的图片是杜塞尔多夫绘画学院的一个方案图像. (贝蒂纳·鲍姆加特尔)
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