艺术家: Johann Wilhelm Baur
日期: 1641
博物馆: Museu da Fundação Dionísio Pinheiro e Alice Cardoso Pinheiro (Águeda, Portugal)
术: 铜上油
前地上有山上出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土出土 在背景中,一个女人骑着一头白公牛. 背面的铭文("Jupiter in viggio incontrare al sold")是一个象征性的铭文,并不代表所画的真正一集. 事实上,这是Europa的绑架,是木星(Zeus)爱好者之一Agenor的女儿,她后来将成为米诺斯的母亲。 与年轻女子相爱后,朱庇特将自己变成了一头出众的白牛,在与她更接近后,赢得了她的信任并绑架了她. 这个故事在伊利亚德(14.321 sqq.)中略有出场,被奥维德在Metamorphoses(2.833-875)中给予极大的重视,这幅画所描绘的段落.
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