在威尼斯大运河的上行地段 与帕拉齐特龙和杜奥多 – (John Ruskin) 上一页 下一页


艺术家:

日期: 1876

尺寸: 37 x 52 cm

术: 铅笔

罗斯金决定1876至7年的冬天返回威尼斯, 部分是因为计划修改威尼斯的"石头", 他在给Charles Eliot Norton的信中说,他的意图是从一般的场景中绘制出“Pencil大纲图”,将原文取而代之,从而可能使其对一般读者更具吸引力。 他还通过添加“我会绘制出新的图画, 表达我以前对这个地方的记忆, 盖起的和被遮蔽的地底上,当然有足够的细节可以让雕刻者在行宫上行地工作,但很多细节还没有完成. 这或许反映了他在逗留期间经常遭受的分心和抑郁:1878年在美术会展出一幅类似的画作,取名"大运河上行地之景"(Video of the Upper Reach of the Grand Canal),面向北面,以及 — — (绝望地出现 ) 。

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