艺术家: Juan Gris
日期: 1925
尺寸: 92 x 73 cm
博物馆: Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain)
术: 油画布上的油
这部作品是格里斯在"合成子体论"中获得的掌握力的例子. 这种种性先是减少分化,扩大分块,最后消除分块,对数字进行统一、合成的观察。 这并不意味着有自然主义的回归,因为物体是用它们不同的碎片形成的,并且各部分之间往往有不成比例,不对称和不同视角. 因此,在这个画布中,我们看到变形和各种观点的组合( )
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