日期: 1872
尺寸: 33 x 27 cm
博物馆: J. Paul Getty Museum (Los Angeles, United States)
术: 打印
卡梅伦本该对这个概念感兴趣,即圣家是工人阶级,谦卑的农民. 她将她的女仆玛丽·希利尔(Mary Hillier)作为玛丽·麦当娜(Mary Madonna),当地的两个孩子作为浸信会的约翰和耶稣. 我觉得她很感兴趣 那种高低之间的矛盾 清和脏,凡人和神,普通和非凡。 - 维多利亚 Olsen, From Life: Julia Margaret Cameron and Victorian Photology Soft-focus and artical sighting 将这张照片用画家的品質来回想文艺复兴艺术家的作品, 至少可能是朱莉娅·玛格丽特·卡梅伦
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