艺术家: Kano Einō
日期: 601
尺寸: 114.0cm x 282.0cm
术: 面板
这些画得出众的小屏幕的左角和右角分别出现了"由克诺·努伊多诺苏克·艾尼"(Kano Nuidonosuke Einā)和"桑斯"(Sansei)所绘的签名和红色的相框印章. "相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相相 无可辩驳地是日本历史上最重要的画家家族,神野会所担任了四个多世纪来帝国和军事精英的官方画家. 除了家庭作风出众外,艾能尼还被广泛称为"本王国绘画史"(Honchō gashi)的作者,是日本最早所写作的主要绘画史. 他的文字以他父亲的草稿为主,深受中国主题史的影响,反映了他和其他卡诺艺术家"画作中也明显的大陆偏见". 虽然"上百个男孩"的佳作主题最早出现在了宋朝(960–1279)时期的中国,但这些银幕却欠了后明时代(1368–1644)的原型,而后明时期,该主题也广泛出现在陶瓷和其他装饰艺术物品上. 细节,种类,数字之多 以精美的颜料执行, 以及屏幕的其他特征"的构建表明,委托他们的家族是贵族. 他们可能属于一个新娘" 婚礼的trousseau, 可能是为了激励 创建一个庞大和快乐的家庭。
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