艺术家: Matsumura Goshun
术: 丝绸
第一道屏幕描绘了一群岩浆于秋后旬在干燥的树上休息;而第二道屏幕显示一头母牛于春后后期从一条河岸上取走豪华的柳条而来. 两屏相去相去相去为相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相去相 学者认为,这些屏风是艺术家从京都迁入池田后不久所绘出,当时他取名"高松". 在使用布森使用遮荫的柳叶上, Goshun的刷子在丝绸上用活活的节奏与树枝的尖端相类似, 鸟类充满了活力。 银幕是主人公的作品,并在绘画行为中反映他的喜悦. Goshun在Yosa Buson(1716–1783)和后丸山 京(1733–1795)下学习,后发展出自己的风格. 京都客人们渴望精细的作品,热情地接受了他轻而易举地,如果不是常规的,风格. 有一群人被称为Shijō学校,其成员都住在Shijō大道附近,丸山学校将传统传入了今天的日本画. 葛生是什叶派的创始人,他在日本画史上的角色无疑是重要的.
艺术家 |
|
|---|---|
下載 |
|
權限 |
免費的非商業用途。 見下文。 |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
