艺术家: Max Beckmann
作风: 言论自由。
日期: 1929
尺寸: 123 x 86 cm
博物馆: Art Institute of Chicago (United States)
术: 浮油。
贝贝克曼的工作很少讨论这个主题。 这一工作大体印记表明,Beckmann对大片色体和黑暗的、sel色的 con块铺设的猪.的处理。 贝克曼在他更著名的作品中为它注入了一种非常令人不安的质量。 这是 stripped弃其理想化 v器,被描述为公然和不安的血压。 因此,这一主要特征事实上是,妇女头部似乎被蒙上了阴影,不过是经过深思的ctor子,而且与这一数字的其他部分相左。 尽管对涂料进行了冷静处理,而且表面上仍然活着,但似乎不止是在对妇女乳房的无节制强调和该数字的无情的 s动。
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