艺术家: Michelangelo Merisi Da Caravaggio
日期: 1601
尺寸: 141 x 196 cm
博物馆: National Gallery (London, United Kingdom)
术: 油画布上的油
在十字架后第三天,耶稣的两个门徒在遇到复活的基督时正走去艾玛乌斯. 他们没有认出他,但当晚他吃晚饭时`.取了面包并祝福它,刹车并给了他们'。 他们的眼睛被睁开,他们就认识他。他从他们的眼前消失。 (公爵24: 30–31) (中文(简体) ). 这是他国内最令人印象深刻的宗教照片之一。 他辉煌地抓住了故事的戏剧性高潮,那一刻,门徒们突然看到了他们面前一直存在的东西. 他们的行动传达了他们的惊奇:其中一人即将从他的椅子上跳出,而另一人则以令人难以置信的姿态将他的手臂抛出. 严酷的照明突出了场景的戏剧强度. 通常对卡拉瓦乔来说,他把门徒们表现为普通的工人,有胡须,有排行相和被打乱的衣服,与年轻而无胡须的基督形成对比,后者似乎来自不同的世界.
艺术家 |
|
|---|---|
下載 |
|
權限 |
免費的非商業用途。 見下文。 |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
