与中国文学家苏世才和道ian的地貌 – (Nagasawa Rosetsu) 上一页 下一页


艺术家:

日期: 1795

尺寸: 171 x 373 cm

术: 金叶

左屏上所描绘的被禁的先入为出的地方是长子河上的一个遗址,中国诗人苏世也叫"东坡" (1037–1101),由他出名的"红崖上的奥德"组成. 右屏上更温和的一幕,描绘了一位学者和侍从在柳园的茅屋里,意在代表中国诗人所包容的陶ian,即陶元明(365年–472年)到他的国家退会. 艺术家似乎在这两个场景之间建立了鲜明的对比—— 苏被强制放逐(wild)反对道自放(calm). 生于首都附近的武士阶级家庭,长泽罗素选择了画家的生活,在丸山Ō京(1733–1795)的京都工作室学习. 他在江户时期的“三个偏心”之一被贴上标签,他经常表现出一种动荡不安的布局和对主题的非常规处理。

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