艺术家: Nicolo Di Pietro
日期: 1420
博物馆: Museo Poldi Pezzoli (Milan, Italy)
术: 面板上的温和度
面板上出自圣本尼迪克特生平的一集,取自6世纪教宗格雷戈里大帝所写的传记. 圣人退休后住在苏比亚克山上 被恶魔所折磨 伪装成黑鸟 使他遭受色情诱惑 为了避免这种情况,本尼迪克特决定取出他所有的衣服并卷入荆棘和网纹的灌木丛. 画中的天使代表了帮助本尼迪克特从罪恶中逃脱的神明. 几乎缺乏地平线,场景被有树木,灌木和溪流的岩石背景所封闭;一清一色地中,圣人似乎在为相冲突的思想而挣扎,将头朝向天使而不确定. 圣人和黑鸟的解剖学,灌木丛的叶子和花衣都被非常自然地画了出来,就像光模拟出卷. 优雅的哥特式元素反而以多色的翅膀和蓝色的外衣来描述天使. 因其高品质,这幅画被归功于国际哥特式的著名艺术家:皮萨内洛,吉安博诺和根蒂莱·达·法布里亚诺. 今天,它被归功于尼科洛·迪·皮耶特罗(Nicolò di Pietro),他是一位成功的威尼斯艺术家,受Gentile的影响. 可达于约1415-1420年,面板为多普提克的一部分,中央有圣人的形象. 另有三个场景出现在"乌菲齐":"婴儿圣本尼迪克特"(The Infant St. Benedict)修复了"破碎的锡耶夫"(Breakency Sieve),"圣本尼迪克特"(St. Benedict)和"毒酒"(The Underned Wine),"圣本尼迪克特"(St. Benedict)驱魔出道出道出道出道出道出道出道出道出道出道出道出道出道来. 聚普提克的出处仍不明.
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