艺术家: Paul Gauguin
日期: 1889
博物馆: The Phillips Collection (Washington, D.C.)
术: 油画布上的油
The Ham的构成强度取决于装饰平坦与隐含空间之间的矛盾. 成份中的重复曲线 — 在洋葱中,背景中链状设计的再星座,火腿的椭圆扫地,平板,以及桌子上无摇摆的腿-与背景上交替的垂直条纹形成对比. 保罗·高更(Paul Gauguin)越来越关注其形态的可塑性,部分原因是他于1889年越来越多地转向保罗·塞赞(Paul Cézanne)的例子。 1881年他和Camille Pissarro一起画画。 据报道,在开始静态生活时,他说 : “ 让我们来画一幅塞尚。 ” 他是塞赞纳作品的活生生的收藏家,他特别喜欢"与水果碗,玻璃和苹果一起的静活"(Still Life with Fruit Bowl, Glass and Apples, ca. 1879-1882),他一直和他在一起,直到1898年财务考虑迫使他出售. 在"火腿"中,洋葱的亮点和轮廓,特别是选择深蓝色来勾勒出洋葱,提供了与塞赞内大力建模的苹果的紧密对比. 当The Ham被Duncan Phillips购买时,他评论说,它具有“与收藏品的类似性,作为后来绘画的来源非常需要。 “
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