日期: 1872
尺寸: 53 x 71 cm
博物馆: Calouste Gulbenkian Museum (Lisboa, Portugal)
术: 油画布上的油
这幅肖像取自雷诺伊经常去阿让特伊勒的莫内特家族探亲的时期. 卡蜜儿的人物是作品中由印象派运动的伟大名号而来的一个常态存在,她不可避免地与之有联系. 画作中最出人意料,同时也最有创意的一面,是雷诺伊尔处理主题的公开印象主义方式,使这一室内场景充满了露天绘画的氛围. 光线的分散分布贯穿了油画的表面,有助于形成一种整体的新鲜感. 这些形式以不平等的焦点为突出重点,在大多数构成中被溶解,因此缺乏真正的实质内容。 以动机为特征的刺激主义现实主义,是现代性的标志,反映了雷诺伊的常见趋势.
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