日期: 1568
博物馆: Palace of Capodimonte (Naples, Italy)
术: 温和
“因为世界如此虚伪, 寓意显示一个隐身于黑衣的男人,他的眼睛被隐藏. 他的折叠手,长胡子, 阴沉的嘴唇, 和向下回转的头部宣布他的严酷性格。 此人沉迷于他的思想中,以至于没有注意到脚下地上的刺或刺. 一个穿着破烂衣服的小偷从后门走来 偷了他的钱袋 脚踏实地的图被嵌入了地球,就像画本身被放入了圆圈里一样. Bruegel似乎在挑剔他挑剔的主角,暗示他既不能从世界的陷阱中退缩,也不能回避画作观众的审查和判断. 众说纷纭的暴虐人类可能是雅典的蒂蒙人,这是由西塞罗,塞内卡等许多古代作家所描述的隐居地. 与Capodimonte的"盲从引导盲人"一样,这部作品是Bruegel活生生的三幅画作之一, 介质以苍白的颜色产生,暴露了画布的纹理. 平滑而脆弱的外观使画作有了出人意料的气氛.
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