艺术家: Pieter Van Der Faes (Peter Lely)
日期: 1670
尺寸: 67 x 54 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 油画布上的油
这幅素描为莱利作为17世纪下半叶英国最成功的肖像画家之一的工作方法提供了一个很好的例子. 以Anthony van Dyck为例,Lely只把保姆的头画在他或她的面前,有时还用外表和服装来作画. 随后他聘请了助手来完成道具和背景. 对于某些有名的静坐者来说,莱利会保留他最初的头部研究,以帮助制作复制品. 因为利利把他的女坐子同化到当代的美的理想中去,所以今天往往很难辨别出她们的身份,就像这个未知的女人一样.
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