艺术家: Pietro Bracci
主题: 。
博物馆: Piazza di Trevi (Rome, Italy)
术: 漂白。
在卡拉瓦乔的早期作品中,这幅画中,手臂的姿势可能回忆起自己在彼得扎诺所画的壁画中向下跪的牧羊人欠下的债务,属于一直被视为自画相的小群体. 他的笑容和神话尊严的嘲弄性都加强了破坏文艺复兴艺术传统高贵先入为主的企图。 这里没有神,只是一个生病的年轻人,他可能受宿醉后遗症之苦. 在描绘花板上精美的桃子和黑葡萄,手中白葡萄和花被花被花被花的藤叶时,没有误认为艺术家的快感,但画家并不满足于仅仅展示出他超能的技巧:他希望扮演一个亲密的角色,只有花板将他和观众分开. 他的外表非常出众,而不是英俊:他表现出他的脸不健康,他的右肩不像惯例所要求的被青铜化的阿多尼斯,而像任何通常穿衣服的人一样苍白.
艺术家 |
|
|---|---|
下載 |
|
權限 |
免費的非商業用途。 見下文。 |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
