艺术家: Qiu Ying
博物馆: China Modern and Contemporary Art Document Research Center (Beijing, China)
术: 丝绸
这幅画采用了略高于建筑物的视角,将观众的目光放在高处和高处。 花园风景可以全部被收录入画中,因此观众可以对花园风景进行全景取景. 我们可以想象,随着观众慢慢地打开了卷轴,他的视线从右到左,从外到花园内部. 明朝时,没有出行的相像出行相去相去相去相去相去甚远. 画作描绘宫廷女性的活动, 邱贵 英作为吴男校的主人公,充分学习了前几代的绘画风格,并同时融合了当代美学元素和细节. 整个情况由建筑物划分,女士们的活动在建筑物内外进行。 邱英善于描述建筑结构和豪华家具. 他所画的建筑不仅是敷衍而简单的结构,而且是完全合理而活泼的准确的建筑结构. 女装以唐代和宋代的相貌为模范,但相貌更细腻,细腻而细腻,是明代公认的典型女性相貌.
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