艺术家: Sakai Hōitsu
日期: 1805
尺寸: 97 x 209 cm
术: 金叶
由于樱花树是日本的典型标志, 樱花树在文学和绘画中作为春天的会徽或对纳拉附近的吉野等某些出名地(美相)的暗示. 这种小银幕成分最初可能缺乏底部的宽银带, Hōitsu是京都艺术家绪方克林(1658–1716年)的热心崇拜者, Hítsu接受了绘画和文学艺术培训,包括: " 十七行 -- -- 季节 " 和 " 三十行 -- -- 一行 -- -- 机智 " 。 他沉浸于海凯,对季后赛的敏感度,体现在他对个别花卉主题的关注上,这些主题并非主流绘画工作室传统回想的核心.
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